Dimensions: 19 x 12 cm (in light passe-partout)
The work comes from the album "La porte Lourde. Poémes en prose de René Morand, dessins hors-texte par Eugéne Zak" published by Galerie Zak in Paris in 1929.
Literature
Barbara Brus-Malinowska, "Eugeniusz Zak 1884-1926," Warsaw 2004, pp. 220-221
Biography
Eugeniusz Zak, one of the most outstanding Polish painters of the 1st half of the 20th century, worked mainly in France, but also in Poland and Germany. He is considered a representative of neoclassicism in painting. He was associated with the artists of the Warsaw group RYTM (founded in 1922) and the École de Paris circle. He went to Paris to study in 1901, then to Munich and Italy. In 1904 he settled permanently in the French capital, where he exhibited at the Paris Salons: Autumn, Independent or Society of National Arts. He also exhibited extensively in the galleries of Paris, New York, Cologne or London. His work was initially influenced by the Symbolists and Nabists of Maurice Denis' circle. Later, his paintings exhibited characteristics of Neoclassical painting, Art Deco and École de Paris Expressionism. He was an opponent of the avant-garde, but one can find influences in his paintings, processed by his own creative personality of Cezanne or Matisse. The most important feature of his art was to create from the imagination, drawing on the motifs of old art and their decorative transformation. He considered the art of the early Italian Renaissance to be the most perfect. "The heroes of Zak's compositions are "free people": fishermen, shepherds, women with children, also comedians, dancers, jugglers, vagabonds, shown sometimes in an empty interior, sometimes as residents of Arcadia. The idyllic landscapes, painted by the seriously ill artist, revealed a characteristic dissonance between the beauty of the southern, human-friendly landscape and a sense of transience."
