Bruno Altmayer (b. 1959), Perspective prométhéenne ou la tentation de l'hubris

Oil / canvas, 100 x 100 cm, framed: 122 x 122 cm

Attached is a Certificate of the Artist and Yasnikowski Art Gallery.
For the winner of the auction, additionally an Art Calendar for 2025 (A2 format) with Jaroslaw Jaśnikowski's paintings "Spaces of Surrealism" and a special edition of the 57-page French Magazine "Art Mag" dedicated to the 2023 exhibition "In the World of Magical Realism" at the Copper Museum in Legnica, in Polish language version.

About the painting:
Oil painting presented at 2 exhibitions in Poland:
- Legnica Copper Museum
- Municipal House of Culture in Luban

The painting will be available in Poland only until February 15, 2025, so this is the last opportunity to purchase it.

Subjective description of the painting:
Man's dilemmas - to subordinate his actions for humanity, for others, for those close to him, or to take to the air and fly away with the birds far from this world that limits us, that builds us a pedestal with its rules and makes us stand on their values? Or maybe not everyone wants to do so, not everyone is able to do so... Or maybe some people need to fly, to conquer the skies, to forget about their stability....

About the Artist:
Graduated from the School of Decorative Arts in Strasbourg and the Sophrology Caïcédienne in Alsace. Member of Artistes Indépendants d'Alsace and Artistes Lorrains, founding member of PAIR Rhénan and president of Art'PAIR international. Registered with the Maison des Artistes in Paris since 1989. Creates stained glass for public and sacred buildings and for private individuals in collaboration with Jean SALMON studios in Metz.

A symbolist and visionary painter, he has always created in a realistic style. In addition to commissioned works for public and sacred buildings, as well as for private clients in the fields of stained glass, frescoes and portraits, Bruno Altmayer's works are generally devoted to ecological and humanistic themes. Since his student days, he has referred to himself as a "painter-witness" to distinguish himself from realist painters who limit themselves to description, and to emphasize his notion of engagement born of what he calls a "second look" or "global vision."